In the hit sitcom Parks and Recreation, Aubrey Plaza played an intern who hated everybody and everything. In the new movie, The Little Hours, she plays a medieval nun who hates everybody and everything, so its nice to see her branching out.
We've invited Plaza to answer three questions about the famous Plaza Hotel in New York.
Click the audio link above to see how she does.
PETER SAGAL, HOST:
And now the game where we like to have people we like come on to do something they may not like. It's called Not My Job. So in the hit sitcom "Parks And Recreation," Aubrey Plaza played an intern who hated everybody and everything, which just seemed to make her more lovable. In the new movie "The Little Hours," she plays a medieval nun who hates everybody and everything. So it's nice to see her branching out.
SAGAL: Aubrey Plaza, welcome to WAIT WAIT... DON'T TELL ME.
AUBREY PLAZA: Thank you for having me.
SAGAL: It is so exciting to have...
SAGAL: ...And as always, I was surprised to find out - I know I should know by now - that you were not the characters you have played. We heard, in fact, that you were kind of a - I don't know how to put this - a goody-goody type girl growing up in Delaware? You walked the straight and narrow. Is that true?
PLAZA: Yeah, I think I was. Yeah, I didn't really get into too much trouble.
SAGAL: And we understand you were a member of 4-H.
PLAZA: I was, yeah.
SAGAL: And were you a farm girl? Were you with livestock?
PLAZA: No, although I did shear some sheep and show sheep, I think.
SAGAL: You sheared a sheep and showed it?
PLAZA: Yeah, at the state fair. But no, I grew - I was - I lived in Wilmington, Del., which - and I lived more in the city. But in the summers, I would go down for 4-H state camp and I would hang out with all the farmers down there.
SAGAL: I imagine you, like, being there with your sheared sheep, looking out at the crowd and going, show business. I love it.
PLAZA: I honestly - my - it was - I had friends that have a bunch of sheep, so I just got in there one day and just messed around, but I didn't really...
PLAZA: I'm not - I didn't really know.
SAGAL: You messed around? I mean, that rarely ends well for the sheep...
PLAZA: I didn't really, you know, do it that much. That's all.
SAGAL: You have gotten into trouble a few times, we heard. Like, we heard that you were thrown out of an awards ceremony because you stole Will Ferrell's award. Is this true?
PLAZA: It is true. Yeah.
SAGAL: Yeah. What did...
PLAZA: That's true.
SAGAL: What exactly...
PLAZA: That's a fact.
SAGAL: What exactly did you do?
PLAZA: I'm not at liberty to say.
SAGAL: I understand (laughter).
PLAZA: That's a legal matter that I can't discuss on television.
SAGAL: You've been advised not to go into that.
PLAZA: Let's just say there...
SAGAL: I mean, you went through...
PLAZA: ...Were pyrotechnics on the stage. And if you go on without announcing yourself, I could have burned alive. So, legally, they had to throw me out. And that's on me.
SAGAL: If it had gone badly, it would have been a great way to go out, I'll have to say.
PLAZA: I'll take it.
SAGAL: Yeah, I know.
SAGAL: So the movie you're in, "The Little Hours," opening here in Chicago this weekend. I'm going to let you describe this film.
PLAZA: OK. It's called "The Little Hours," and it's based on "The Decameron," which is a compilation of stories from medieval times...
SAGAL: This is public radio. We're all English majors. We know.
PLAZA: OK. I'm not very smart, so it's new to me. And it's a - yeah, it's basically an adaptation of "The Decameron." And it's about three nuns in a convent that don't really want to be there or want to be nuns...
SAGAL: There's a lot of nuns going berserk.
SAGAL: There's a fair amount. And, particularly for a film with a religious setting, a fair amount of sex.
PLAZA: Oh, yeah.
SAGAL: Oh, yeah.
SAGAL: So, basically, you play a foul-mouthed, ax-wielding sexually rapacious pagan witch nun.
LUKE BURBANK: Do you ever feel typecast by that role?
PLAZA: You know, that role was also written for me, so...
SAGAL: Well, not - and this is the funny thing.
SAGAL: This role was written for you by the director of the film who is your partner, right?
PLAZA: That's right.
SAGAL: So he says to you, honey, I've got a great idea for a part. I would like you to play a knight, an ax-wielding, profane, foul-mouthed sexually rapacious pagan, Satan-worshipping-possibly nun. And you say...
PLAZA: I said, OK. What are we having for dinner?
FAITH SALIE: So what was it like to film the sex scenes in front of your partner for him?
PLAZA: Yeah, it was - you know, it was fine. It's - we're all - you know, we're all actors. Like, that's kind of what we do. So yeah, it wasn't like oh, my God. Today's the day.
PLAZA: We're all going to get weird tonight. You know, we were just - I was in character, and we were just trying to honor the script and make something good.
BURBANK: I promise you, though, if you've been married for 15 years, it would be like oh, my God. Today's the day.
PLAZA: You know what? It was a little fun. It really spiced things up.
PLAZA: Keeps it interesting, you know?
SAGAL: Yeah. Preferably favorite thing we found out about you is that you played basketball in a team called the Pistol Shrimps.
PLAZA: I play basketball, but I traded myself from the Pistol Shrimps to the Spice Squirrels last season.
SAGAL: Oh, wow.
PLAZA: We won first place last season, second place this season. We're doing pretty good right now.
SAGAL: Are actors and comedians weird to play basketball with? Are they as weird in the basketball court as they tend to be in real life?
PLAZA: No, I mean, I think once you're on the court, you're just, like, an animal, you know? You're just, like, watching the ball and trying to get in the thing and...
PLAZA: ...There's not a lot of time to make jokes...
PLAZA: ...You know? But I do, sometimes. I try to, like, [expletive] talk people or...
SAGAL: Can you give me an example?
PLAZA: Just shoot it now. Just shoot it right now.
PLAZA: I like to say stuff like that to people - where they're like what? I'm like, shoot it now. Like, I just try to have conversations with them and distract them.
SAGAL: That could be good advice. If the shot clock is running down, that could be helpful advice, actually.
SAGAL: So you're a very dry trash talker.
PLAZA: Yeah. I like to, yeah, keep it really subtle.
SAGAL: Yeah, I understand.
SAGAL: Well, Aubrey Plaza, it is a pleasure to meet you, but we've invited you here to play a game we're calling...
BILL KURTIS: Welcome to the Most Prestigious Hotel in the World.
SAGAL: So you are Aubrey Plaza. So, of course, we're going to ask you...
PLAZA: (Laughter) Right.
SAGAL: ...About the Plaza Hotel in New York City, famed in history and in gossip columns. Answer two questions correctly about the great hotel, you'll win our prize for one of our listeners. Bill, who is Aubrey Plaza playing for?
KURTIS: Samantha Gray of Utica, N.Y.
SAGAL: All right. You ready to do this?
SAGAL: All right. Perhaps the most famous long-term resident of the Plaza Hotel was Kay Thompson, who wrote the Eloise books about a little girl who lived in the hotel. Kay Thompson, though, left the hotel forever in the 1980s when she was outraged by what?
Was it A, an act down in the Plaza Nine cabaret in the hotel called Eloise, all grown-up and ready to party...
SAGAL: ...B, the owner of the hotel saying to the New York Times, of course, in reality, I doubt that little girl could afford to stay here; or C, they asked her to pay for her room?
SAGAL: Yes, you're right.
SAGAL: Kay Thompson, author of Eloise. Do you know the Eloise books? Did you grow up with...
SAGAL: Yeah, yeah. She - well, she got to live in the Plaza for free for many years because she gave so much publicity to the hotel through those Eloise books. And they sold merchandise. And then they realized it wasn't paying the bills. And somebody said, Ms. Thompson, maybe you could pay for your room. And she left in a huff and never came back.
Well, the next question actually - to this day, the hotel has an Eloise suite decorated in the style of the books by Kay Thompson. What important thing happened in the Eloise suite? A, Charlie Sheen had his epic bender with a prostitute there...
SAGAL: ...B, President John F. Kennedy first met Marilyn Monroe per her request; or C, the first jello shot was invented.
BURBANK: Some of those could have happened on the same night.
SAGAL: Charlie Sheen? You're right. That's where it happened. Remember that?
PLAZA: Oh, my God, no. It's horrible.
SAGAL: Remember the whole thing?
SALIE: Hashtag #winning.
SAGAL: The woman calling down to the desk yelling, help, Charlie Sheen has me locked in the closet, and he's going berserk. The Eloise suite, ladies and gentlemen.
SAGAL: Last question. We have to mention that our president, Donald Trump, bought the hotel in 1988. And he owned it into the mid-'90s. He hired his wife Ivana to oversee the redecoration of the property. And she did such a fantastic job that what then happened?
A, the king of Saudi Arabia was so impressed that he ordered his third favorite palace decorated in just the same way; B, Brian De Palma used it as the set for the home of the drug lord in Scarface; or C, Donald himself used the grand ballroom to marry the woman he left Ivana for?
SAGAL: Of course. That's where Donald Trump had his second wedding to Marla Maples, the woman he'd been fooling around when he was married to Ivana. Bill, how did Aubrey Plaza do on our quiz?
KURTIS: She did a perfect job. You are a (unintelligible).
PLAZA: Thank you.
SAGAL: Aubrey Plaza is a comedian and actress. You've seen her in "Parks And Rec" and the TV show "Legion." Her new movie "The Little Hours" is out now. Aubrey Plaza, thank you so much for joining us.
SAGAL: Aubrey Plaza, ladies and gentlemen.
(SOUNDBITE OF GABY MORENO AND VINCENT JONES'S "'PARKS AND RECREATION' THEME")
SAGAL: In just a minute, Bill is caught huffing Nestle Quick in the Listener Limerick Challenge.
SAGAL: Call 1-888-WAITWAIT to join us on the air. We'll be back in a minute with more of WAIT WAIT... DON'T TELL ME from NPR. Transcript provided by NPR, Copyright NPR.